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Festival of Solo
Performances for Children 2011, 9th Year
26th-27th February 2011, Minor Theatre
The Showcase is organised by: Civic Association Xaver
The Showcase of Soloist Productions for Children has invited the
best solo puppet-actors, whose work is comprehensible for pre-school
and school children, to Prague for the seventh time. This year
artists from Great Britain
together with those and obviously from Czech Republic were chosen to
take part in the festival. The organisers of the Festival purposely
aspire to hold an international event, not only because foreign
participants bring reflection of various problems, contexts and
traditions. Affirmative meeting with creators from neighbouring
countries that widens positive awareness of the surrounding nations
and has special importance for the specific audiences of the
showcase is another dimension of the Festival. Thanks to pleasant
theatrical experience the small theatregoers are provided with
interest and trust for their future contacts with nationals of other
countries. Also the
encounter with Czech tradition is beneficial for a
child. Czech puppet-making and puppet theatre has renowned and
traditional past. It is a big shame that seemingly easy access to
live theatre sometimes overshadows the importance of its heritage we
should be rightly proud of and cultivate it. We can thus perceive
the equal participation of Czech and foreign theatre artists on the
Festival as an important contribution of the festival, which fulfils
its intention to promote
central European integration in both directions – by
getting to know own as well as other’s quality.
We
are inviting a British story teller Catharine Aran to take part in
the 9th year. The performances
Snowdown
Giant will take place at theatre Minor, Vodičkova street, 6,
Prague 1, at 3 pm on 26th and 27th February 2011
The most important guest in 2009 was
theatre Iolo
from Cardiff, Great Britain. Their performance was chosen at
international festival in Welsh Aberystwyth. The company was
approved by Jeremy Turner, Director
AGOR DRYSAU -
OPENING DOORS Wales International Festival of Theatre for
Young Audience.
Pros of puppet theatre
for children need not be
explained. Stage performances address almost all
senses of a child,
and enrich the little theatregoer in many directions. When compared
to drama theatre a puppet has two irrefutable advantages – it
enlivens viewer’s fantasy
as at the same time cultivates and widens his/her
relation to material.
Performed as well as told stories reflect important questions of
life and help a child to create an
intellectual distance
from problems that he or she experiences. Aesthetic aspect of
performances, humour and harmony contained in performances
therapeutically
influence children. No performance will be watched by more than
forty people, which will ensure unbroken
personal experience
for everybody. This close contact with art can be fully appreciated
especially in our time when children are flood by mass entertainment
targeted usually at the lowest level of taste as well as mental
scope of the consumer.
Special attention should be paid to
creative workshops,
which have become a favourite and regular component of the festival
over the previous two years. This year the workshops will be lead by
a puppet-actress Jaroslava Holasová.. As a teacher from the Primary
Art School in Jaromer she has plentiful experience with cultivation
of child’s creativity and imaginativeness. Other workshops will be
lead by Jan Hrubec, graduated DAMU, and Hana Jurčíčková, graduated
JAMU.
Fifth edition presented
Visual attraction was characteristic for
Walny Teatr company
from Warsaw, their production “The Butterfly” was through eight
poetic pictures touch the secret of the Bible and its legacy.
Renowned International House for Children Bibiana from Bratislava
presente a fairy-tale “About a Two-headed Dragoness” and a theatre
group Piki from Pezinok
presented their famous production based on the book by T. Lehenova
“About Nine Moons”.
Two-day meeting
of theatre-scholars and theatre-makers from the countries of
Visegrad Four as well as other countries was another accompanying
event of comparable importance. Discussions was opened to the
public. Selected participants presented their papers.
Thanks to the previous years of the festival the Festival has
established its skeleton audiences. Because of that it adjusts its
programme so that the more complex productions are complemented by
well-known attractive “hits”. By this strategy the organisers
attempt to widen general awareness of yet unknown artists, who would
not profit on their first Prague presentation from reputation for
being an experimentalist.
The Festival provides space also to young adepts of puppet acting.
In 2005 students of Polish Akademie Teatralne z Bialystok presented
their work. It was the first presentation of student work from
Bialystok in Prague.
First two years of the
Festival presented total of
eleven productions for children and four pieces for adults. During
those festival’s early days the organisers inclined to presentations
of so-called family productions, created in order to entertain all
age groups. Miroslava Venclová, Kristýna Matějová (presently
studying at DAMU), Lenka Košťáková (currently studying at JAMU) a
pupils of Primary Art School Na Střezině from Hradec Králové – they
all presented their works during the first two years of the
Festival. Third year
offered eleven productions in thirteen performances and two
workshops for children (jugglery and potato theatre. Among the
guests of the festival were: director of the festival Puppet
Bystrica Iveta Škripková, dramaturg of Bratislava’s Bibiana Eva
Čárská, vice-rector of Polish Akademie Teatralne dr. Marek Waszkiel,
PhD student of JAMU Adéla Kratochvílová and a student of KALD DAMU
Matija Solce. Fourth year
presented nine productions in thirteen performances and hosted two
workshops for children (jugglery and glove-puppet theatre.
Invitations to the festival were accepted by András Lénárt from
Hungary (theatre Mikropódium), Katarzyna Rączka and Zofia
Dworakowska from Poland, Ivica Ozábalova and Oĺga Panovová from
Slovakia. During the festival one meeting for theatre scholars was
held.
The Festival of Solo Performance for Children was held in the past
two years under the auspices of
international non-governmental
organisations, the puppetry organisation
UNIMA and the
organisation of theatres for children and the young
ASSITEJ. Fifth year
was included among the international projects
ASSITEJ International.
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